Dissociative Identity Productions, if ya can’t tell, kind of has a crush on Two Inch Astronaut. With it’s homage to a past yet hardly forgotten 90’s D.C. post-hardcore scene in conjunction with a flourishing contemporary lofi-emo commonly promoted by Midwestern acts, it is not necessarily a surprise to see why we feel this way. Thus, while “Red Pancake and the Dark Energy” and “Split Dicks 7” provided a thrilling introduction, I can personally say that I know far greater things are coming from Two Inch Astronaut‘s upcoming release, Bad Brother. To quote from our previous review, Two Inch Astronaut wholeheartedly tackles the bridge between such legendary sounds as “Jawbox mixed with early Cursive“. This album, however, stands quite differently than a simple conquest of cohesion: rather, it represents a significant progression in the maturity of their sound, one which does not mind perverting traditional taboos for the sake of exploration.
The current tracks available from Big Brother, to be officially released on June 18th, 2013, are ‘Swol‘ and ‘Blood from a loyal hound‘, an appropriate selection of the nine track release as a whole. ‘Swol‘ plays out as an ingenious balancing act of thunderous post-hardcore riffs complimented by the delicate Plastic Constellations ‘esque noodle rock. Thus, never stepping back from a stoner rock like head thrash momentum, ‘Swol‘ still has the uncanny ability to keep the listener feeling oddly sentimental with sudden collapses in tempo and blunt pedal work. ‘Blood from a loyal hound‘, the fourth track and essential midpoint of the album, jumps out of the gate in a blitz of prog rock yet quickly followed by verses nearly murmured in a swinging like bass rhythm reminiscent of even later releases of Don Caballero. It’s a pleasurable balance yet perhaps what is most memorable of the track is the raw post-hardcore breakdown by the end of the track.
This final note, essentially, is perhaps what attracts me to Two Inch Astronaut and Bad Brother in particular. The fragile compromises made throughout each track to include varied genre influences is well appreciated and welcomed, yet what truly makes these tracks more than just technically glorified pieces of work are those moments of ecstasy and emotional extremism. And it is for that reason that you should pay note next Tuesday for the release of Bad Brothers. And better yet, in case you think I just happen to be lying through my teeth, catch them live, tonight, playing with Ted Nguyent and Ugh God over at the Khyber. Anyways, grab a listen and a download when the time is right. When we last wrote on the group, we had hoped they’d make their way to Philly. Guess wishes do come true. See ya tonight.